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Jane Krensky's uncanny eye captures simple truths in delightful yet haunting images of everyday people going about their lives. Whether pure black and white or hand-colored, her silver gelatin prints draw the viewer into a unique world of the street. By freezing a moment of reality as it unfolds, each photo evokes a powerful sense of familiarity. |
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John LeBaron started at The Press Democrat as a part-time copy boy in 1948. When he left the paper in 1968 he was chief photographer. While at the paper his photos won several awards, including California’s news photo of the year in 1950. In recent years he has devoted much of his time to his own photography, exhibiting his images occasionally, tackling interesting projects, and teaching for many years at SRJC. |
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707-544-5046 |
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Being asked to photograph people who donate their lives to helping others was a joy, not only to photograph them, but to get to know them too. It was inspiring! The majority of my work is male nudes so this was a departure for me, and a delightful one. Thank God for these wonderful, caring volunteers! |
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I believe in the studio portrait; in its simplicity there are no distractions, the image is strictly about the person(s) in the portrait. On the other hand, I do enjoy and value 'environmental portraiture'; when done in a place that is significant to the subjects of the photograph we gain some context, more visual clues about the subject. |
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A Sonoma County native, Mark Watt has been expressing himself through the medium of photography for over twenty years. Mark's beautiful landscapes have earned him a place as a two-time winner in Sonoma County Business Bureau's annual photo contest. He has also been published as a featured photographer in the 1996 issue of "Photographer's Forum's", "Best Of The Best".
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John Youngblood is a fine art and commercial photographer working in Healdsburg, California, a small community about 70 miles north of San Francisco. About his work, he says, "I try to work simply, to explore textures and shapes, to arrange compositions that satisfy simple objectives, attempting to allow for the small revelations that can occur with the patient observance of commonplace objects and places. |
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